A Word About Writing: One Author, Seven Questions
An Interview with Rebecca Makkai, by Evan Allgood
Rebecca Makkai’s second novel, The Hundred-Year House, is a ghost story, a love story, a mystery, a comedy, a drama, and (rarest of genres) a well-written page-turner. It traces the history of a spooky literary estate named Laurelfield; as the reader moves forward through the book, he or she moves backward in time, from 1999 to 1955, then to 1929 and 1900. (The first three sections read like novellas; the last is a brief epilogue.) I spoke to Makkai about that counterintuitive structure, the differences between writing her first and second novels, and which book she’s reread the most.
I already said I have no idea! Here’s what I can reconstruct: I wrote a short story called “Gatehouse” somewhere around 2004, and it was about two couples crammed together in the coach house of a large estate. One of the men was anorexic, and the other man was the only one who noticed, but no one would listen to him. I put the story aside for a long... Read more
In the Telling
Kyle McCordIn our latest installment of the In the Telling series, listen to Kyle McCord read two poems that appear in Issue 13: The Unknown. Kyle McCord is the author of three books of poetry: Galley of the Beloved in Torment (Dream Horse Press, 2009), a co-written book of epistolary poems entitled Informal Invitations to a... Read more
Encounters in Publishing
#54: An Interview with Editor Matthew Daddona
In seven weeks, the book industry’s brightest editors, agents, and authors will take over Brooklyn for the Slice Literary Writers’ Conference on September 6 and 7. We’re featuring early chats with some of our panelists for a glimpse into life in their corner of the industry. This week, Plume/Penguin Random House editor Matthew Daddona offers his perspective on... Read more
- Poetry Lives! http://t.co/mbk1sMI4Zp 07/30/2014
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