An Interview with Steven Wingate, by Jennifer Fandel
Steven Wingate’s short fiction has appeared in Slice issues #3 (“In Translation”) and #12 (“Obsession”), including an audio excerpt in “In the Telling” featurette here. I’ll be exploring Thirty-One Octets: Incantations and Meditations (WordTech/CW Books, 2014), which is Wingate’s second collection of poetry, with this self-proclaimed genre nomad.
An Interview with Sara Nović, by Peter Kispert
Sara Nović’s stunning debut novel, Girl At War, concerns the realities of war and their effect on and shaping of a girl’s coming of age. Here, Nović responds to questions posed her about the novel’s development, her relationship with her characters, and the one question she wishes she were asked about her novel—and her answer to it.
An Interview with Author Valerie Geary and Editor Emily Krump, by Celia Johnson
Crooked River, a debut novel by Valerie Geary, is the story of two sisters who go to great lengths to save their father. Fifteen-year-old Sam and her ten-year-old sister, Ollie, don’t know everything about Bear, their beekeeper father. But both girls are certain that he is innocent of murder. Crooked River is a poignant tale of grief, ghosts, crime, and above all, family. I spoke with author Valerie Geary and her editor Emily Krump about the editorial process, what surprises authors after they land a book deal, and more.
An Interview with Author Lily King and Editor Elisabeth Schmitz, by Heidi Sistare
Lily King’s most recent novel, Euphoria, is inspired by the life of Margaret Mead. The novel made many of the top book lists of 2014, including the New York Times Book Review, 10 Best Books of 2014, and NPR, Best Books of 2014. I interviewed Ms. King and her editor, Elisabeth Schmitz. They spoke about the writer and editor relationship, a childhood friendship, and the spark of inspiration.
An Interview with Sharma Shields and Caroline Zancan, by Celia Johnson
Sharma Shields’ debut novel, The Sasquatch Hunter’s Almanac, is about a family pulled into one man’s hunt for the elusive sasquatch. The book is populated with myths and yet it feels strikingly real. Shields’ editor, Caroline Zancan, said that, when she first received the manuscript, “I was partly reading with childlike wonder, using parts of my imagination I hadn’t used since I was a kid, but at the same time, there were forces at work that were terrifying to me even as an adult.” I spoke with Sharma and Caroline about myths, the editorial process, and unsung heroes in the publishing world.